Ebook Download Spectacles of Empire: Monsters, Martyrs, and the Book of Revelation (Divinations: Rereading Late Ancient Religion), by Christopher A. Fril
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Spectacles of Empire: Monsters, Martyrs, and the Book of Revelation (Divinations: Rereading Late Ancient Religion), by Christopher A. Fril
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The book of Revelation presents a daunting picture of the destruction of the world, complete with clashing gods, a multiheaded beast, armies of heaven, and the final judgment of mankind. The bizarre conclusion to the New Testament is routinely cited as an example of the early Christian renunciation of the might and values of Rome. But Christopher A. Frilingos contends that Revelation's relationship to its ancient environment was a rather more complex one. In Spectacles of Empire he argues that the public displays of the Roman Empire—the games of the arena, the execution of criminals, the civic veneration of the emperor—offer a plausible context for reading Revelation. Like the spectacles that attracted audiences from one end of the Mediterranean Sea to the other, Revelation shares a preoccupation with matters of spectatorship, domination, and masculinity.
Scholars have long noted that in promising a complete reversal of fortune to an oppressed minority, Revelation has provided inspiration to Christians of all kinds, from liberation theologians protesting globalization to the medieval Apostolic Brethren facing death at the stake. But Frilingos approaches the Apocalypse from a different angle, arguing that Revelation was not merely a rejection of the Roman world in favor of a Christian one; rather, its visions of monsters and martyrs were the product of an empire whose subjects were trained to dominate the threatening "other." By comparing images in Revelation to those in other Roman-era literature, such as Greek romances and martyr accounts, Frilingos reveals a society preoccupied with seeing and being seen. At the same time, he shows how Revelation calls attention to both the risk and the allure of taking in a show in a society which emphasized the careful scrutiny of one's friends, enemies, and self. Ancient spectators, Frilingos notes, whether seated in an arena or standing at a distance as Babylon burned, frequently discovered that they themselves had become part of the performance.
- Sales Rank: #2272113 in eBooks
- Published on: 2013-03-25
- Released on: 2013-03-25
- Format: Kindle eBook
Review
"An insightful, suggestive book that will reward students of Revelation as well as readers interested more generally in the literature and culture of imperial Rome."—Bryn Mawr Classical Review
About the Author
Christopher A. Frilingos teaches in the Department of Religious Studies at Michigan State University.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Wonderous Strange
By Santi Tafarella
This is a great academic text about the Book of Revelation, but it is also a fascinating uncovering of Roman cultural curiosities. The author, for example, documents the importance of theatrical spectacle to imperial Rome, in which spectators gazed upon gladiator combats and the public display of monstrosities from other lands (such as exotic animals). Spectacle thus functioned to (in the author's words) "produce [sic] knowledge for all its participants" (p.35). He then shows how the Book of Revelation adopts the motifs of spectacle and monstrosity to Christian effect, setting the imperium of Rome up as the "Beast" that is at war with the "Lamb," and in which saints and sinners function as spectators to this cosmic battle.
In reading this book, I couldn't help but be reminded of Neitzsche's reflections on Dionysian theatre (in "The Birth of Tragedy") and how he thought that it enacted for the audience the duality of human existence (between the Apollonian and the Dionysian).
Especially interesting to me was the section on Roman ekphrasis (the art of detailed verbal description, usually of art) as part of the training of Roman rhetors. In other words, generating word-pictures for hearers functioned as a legitimate technique in audience persuasion. In short, "Spectacles of Empire" does a great job situating the Book of Revelation as both a cultural and rhetorical product of ancient Rome.
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