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Compositing Visual Effects: Essentials for the Aspiring Artist, by Steve Wright
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Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role.
Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them.
Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on:
* 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene.
* Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie
* RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production.
* Tracking an entire project from start to finish
This is in addition to robust updates on topics such as:
* planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more
This edition also includes a companion website with images from the book for you to work with in your own compositing exercises.
- An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more
- Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction
- New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time
- Sales Rank: #1149015 in eBooks
- Published on: 2013-01-17
- Released on: 2013-01-17
- Format: Kindle eBook
Review
"Steve Wright has hit it out of the ballpark again. After his wildly successful book Digital Compositing For Film and Video he tackles digital compositing anew, but this time from the perspectives of the curious beginner all the way to industry professionals. In easy to follow terms he leads the reader through the entire process and techniques used to create blockbuster effects, but makes the journey easy for the lay-person. This is a MUST HAVE book for anyone who wants to know just what is this digital compositing magic."
-- Jeffrey Jasper, VFX Compositor, New Deal Studio (The Good Shepherd, X-Men 3, Pirates of the Caribbean 3)
"Steve Wright is the master of clarity. His new book Compositing Digital Effects is easy on the brain and on the eyes, as he deftly explains fairly complicated computer graphics and digital effects in a way that is so easy to follow, augmented with hundreds of color pictures. It is the perfect textbook for students who are just becoming familiar with computer graphics and filmmaking. I'm excited to begin using it for my animation and special effects courses."
-- Larry Elin, Associate Professor, Television, Radio, Film, S.I. Newhouse School of Public Communications, Syracuse University
"Every time I come out of a conversation with Steve I know a lot more about how visual effects are done than I did before and am more confident that I can handle whatever the movie I'm working on is going to throw at me next. Reading Compositing Visual Effects is nearly as much fun as talking to Wright in person because he writes just like he speaks: entertainingly, concisely and accurately. Now when we can't get him on the phone we can pull him off the shelf."
--George Merkert, Visual Effects Producer (As Good As It Gets, Total Recall, In The Line of Fire, Starship Troopers)
Review
".Wright leads the reader through the entire process and techniques used to create blockbuster effects, but makes the journey easy for the layperson. This is a MUST-HAVE book for anyone who wants to know the magic that digital compositing is."
- Jeffery Jasper, VFX Compositor, New Deal Studio (The Good Shepherd, X-Men 3, Pirates of the Caribbean 3)
About the Author
Steve Wright is a visual effects compositing veteran with 70 broadcast television commercials and over 60 feature films credits. He's developed video games at Atari, done 3D animations for Robert Abel and Associates, and was senior compositor and 2D technical director at Kodak's Cinesite. Steve is now a freelance, digital-compositing guru, who teaches, trains, writes, and develops on-line training programs.
Most helpful customer reviews
3 of 3 people found the following review helpful.
For Video, Film, and Animation (Not Photography)
By V. Hutson
Overall this appears to be an excellent book for learning how to composite when working with film, video, and animation. From the title, I thought it would include digital photography--which it basically doesn't do.
2 of 2 people found the following review helpful.
Excellent book!
By Eric B. Borgman
Compositing Visual Effects: Essentials for the Aspiring Artist is an excellent book. It makes the art of compositing simple to understand and explains the concepts easily.
I have found this book to be more useful than others on compositing that I have looked at. I am not an expert on this aspect of filmmaking and Steve Wright does a good job describing the principles for this interesting process. Even the pages are gorgeous made with a slick white paper.
1 of 1 people found the following review helpful.
Competent Tour of Digital Compositing
By Amazon Customer
Steve Wright's "Compositing Visual Effects: Essentials for the Aspiring Artist" is appropriately named and provides thorough coverage of the relevant topics facing the artist today.
WHAT'S COVERED:
The book starts with a high level overview of digital compositing in the motion picture industry today - from classics such as rotoscoping and wire removal to more contemporary effects like morphing and bullet time. Nothing here is in-depth at all, but it puts it on the radar of the reader - which is important when you don't even know what you don't know.
After the initial excitement Steve introduces the fundamentals of working with digital pixels. In many ways, this is where the book shines. If you do not understand this, you understand nothing - so getting this right is important. Floating point storage, pixel multiplication, bit depth, four-channel images, structure, gradient banding, indexed color, and compression: all these topics are covered with clear articulate explanations and diagrams. Steve doesn't take for granted that the reader is already aware of these issues - he explains them for the beginner.
The rest of the book slowly delves into the more advanced topics of digital compositing and keeps focus on the motion picture industry almost exclusively. Fundamentals such as bluescreens and masks are covered in 35 pages. Advanced topics such as animation are covered in only 19 pages, including topics like procedural mesh warps. So detail is understandably lacking in these advanced areas.
The book wraps up with great discussion of coping with upscaling of standard definition video, scene salvage, and digital capture.
BOOK MEDIA:
This book is printed on very high quality glossy paper. Almost ever page has full color photographs, examples, and diagrams. The binding is threaded and glued - and should hold up under heavy use. The cover is only slightly thicker cardboard.
SUMMARY:
This is a great book for the compositing beginner or for the advanced professional looking to fill in the void in her library. And even the advanced professional will gain something from this book. There are hidden gems and simple enlightening diagrams that help solidify the topics in the mind. There are no how-tos or step by step instructions here. Instead this is a high level overview of the relevant topics in digital compositing. It is left to the reader to find what she is interested in to investigate further.
Bravo.
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