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Unending Nora, by Julie Shigekuni
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Unending Nora is a love story, though not in the ordinary sense. Having retreated to the streets of the east San Fernando Valley amidst an intense heat wave, Nora Yano, who has lived the first 29 years of her life as a devout Christian and an outcast, strikes up a relationship with a stranger and experiences sexual intimacy for the first time.
When Nora mysteriously disappears, her best and only friends Caroline and Melissa, each with their own lives to consider, must decide what they’re willing to risk to find her. The complications that ensue, along with an unexpected arrival home, set this novel in motion. Beneath the stories of four compelling women, Shigekuni creates in Unending Nora web of ideas concerning the after effects of wartime internment. Fresh out of the camps, a displaced and emotionally scarred generation clustered together to form a community; they even took on a religion in order to adapt to the society that oppressed them. Now their offspring, four young women coming of age in their thirties, must carve their own path.
Unending Nora is a story about finding love through adversity. In an ambitious examination of faith, shame, and desire, Julie Shigekuni takes up where John Okada left off over fifty years ago with his masterpiece No-No Boy—to tell the story of a community ready to mark its place in the larger world.
- Sales Rank: #1915005 in eBooks
- Published on: 2012-01-01
- Released on: 2012-01-01
- Format: Kindle eBook
Review
Julie Shigekuni’s prose is shimmering and hallucinatory. The beauty of her writing turns the heat and hard times of California into a dreamscape.
-Ann Patchett
In Unending Nora, Julie Shigekuni explores both the stories that connect us and the silences that keep us apart. This graceful and compassionate novel reminds us how we can never fully know the people in our lives, including (and maybe even especially) ourselves.
--Gayle Brandeis, author of The Book of Dead Birds and Self Storage
About the Author
Julie Shigekuni is the author of Unending Nora (Red Hen Press 2008), Invisible Gardens (St. Martin's Press 2003), and A Bridge between Us (Anchor/Doubleday 1995), which was a finalist for the Barnes and Noble Discover Great New Writers Award and recipient of the PEN Oakland Josephine Miles Award for Excellence in Literature. She grew up in Southern California, fled high school for the University of California at Santa Cruz, and subsequently lived in Tokyo and London. She received her BA from CUNY Hunter College and her MFA from Sarah Lawrence College. She is currently at work on a novella and short story collection and a sixty-minute video documentary, Manju Mammas and the An-Pan Brigade, for which she has received funding from the California Council for the Humanities and the Skirball Foundation and sponsorship from Visual Communications, an all-Asian media network. She is director of the creative writing program and development director of Asian American Studies at the University of New Mexico.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Another strong work by Shigekuni
By Michael S. Shepard
As a teacher of American literature at a community college in Dallas, Texas, I shared Unending Nora with my students last year, and it is the third Shigekuni novel that my students have enjoyed with me over the past decade. Julie Shigekuni is a great story teller, and she continues to focus on the Japanese American experience in fresh and insightful ways. By now many American students have some familiarity with the World War II internment period, but what has gotten far less attention is the effect of this devastating and uniquely racist persecution afterwards -- upon the generations of Japanese Americans that followed the end of the war. The camps have long been emptied, but no matter how much economic achievement and 'blending in' Japanese Americans manage, the internment hangs over them like a dark shadow. Shigekuni's characters in Unending Nora all grapple with identity issues to one extent or another. Some of them cope successfully, and they are inspirations to the rest of us.
It may be news to many readers that for some Japanese Americans Christianity emerged as one refuge in the post war years. In a wickedly pointed fashion, Shigekuni explores ways that Christianity was unable to provide support or community or relevance to psychologically vulnerable characters. Nora is the misfit girl in a church going community that itself feels misfit to the mainstream dominant society. Nora commands the reader's sympathy, and she haunts the other characters in Shigekuni's book.
From her first book, A Bridge Between Us, to this one, Unending Nora, Shigekuni has written with such courage and imagination and variety. As an artist she continues to grow. Shigekuni is a little bit Amy Tan and a little bit Franz Fanon; that is, your commumnity matters, but it can not save you. I think she is saying this. You have to recognize your circumstances in a society that can be both seductive and oppressive, and you have to reach within your strengths in order to establish your sense of self.
I can't wait for Julie Shigekuni's next book!
3 of 3 people found the following review helpful.
A wonderful map of previously uncharted lives
By Hobo
If you have ever watched a group of people through a restaurant window, gathered in front yard or at a church service and wondered about the stories that connected them to each other or how the unspoken experiences of one generation take on unending narrative power in a subsequent generations, then you will find a like mind in Julie Shigekuni and her third book, "Unending Nora." This book takes on large themes in the Japanese American community that have formed one generation after the Internment Camps by treating them not as ideas but as lived experiences. Shigekuni can take ideas about culture, religion, friendship and the recuperation of love, wrap them in an engrossing mystery story, bind them to the flesh and bone of complex characters, and set them loose to work on the reader as if they were reading about his or her own life. I loved this book for its take on the post-internment Japanese American community, for its treatment of young Japanese American women as the holders of their own stories, and for just being so damn pleasurable to read.
2 of 2 people found the following review helpful.
Unending Praise
By Kathleen Moore
This book is amazing and I read it slowly because I didn't want it to end. The angst-filled character of Nora was the somewhat removed center of onion-like layers of intense relationships, dialogue, stories, and heart-wrenching discoveries. I found myself underlining sentences and paragraphs packed with beautiful prose, and soon my book was fully highlighted. I appreciate Shigekuni's thoughtful details and imaginative ideas that make this story the great read it is.
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