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The Girl with Two Left Breasts, by D. V. Glenn
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The fictions in the collection The Girl with Two Left Breasts are not “been there, done that” stories written in a staid journalistic style where language functions as narrative workhorse, plodding inconspicuously forward, familiar and somewhat grey. Readers will encounter stories shaped and styled for the new millennium as image and metaphor are taffy-stretched and virtually collapsed in order to depict how, at this unique juncture barely beyond our century’s turn, cultures, genders, and points of view collide as characters struggle with issues of race, identity, sex and addiction in an unforgiving urban milieu. D. V. Glenn has been called by FC2 judges an “important new voice speaking to us throughout the stories in an array of vivid, unusual tongues, all of them full of intellect, passion and poetry. Moreover, the collection strikes one as having been written by someone whose literary sensibility is already fully formed.”
- Published on: 2012-01-01
- Released on: 2012-01-01
- Format: Kindle eBook
Review
“Savagely ironic and boldly imaginative, D.V. Glenn's unique collection of farflung tales delivers moments of intoxicating beauty and sobering ugliness. These fictions challenge the things we hold sacred with the killer instinct and deft hand of our best satirists.”
—Josh Pyror, author of Monkey in the Middle
“When the post-Carver short story declared war on interiority and elaboration, someone failed to notify D.V. Glenn. He loans his hallucinatory and fecund style to characters who find themselves in scenes one imagines would have been limned by Dostoevsky's, Kafka's and Ralph Ellison's narrators, had they survived into the period we blithely call 'postmodern.' Glenn's stories are united by a mixture of lucidity and the sobering humor that unites memorable moments in stories written by Phillip Roth and Sherman Alexie, moments born of the exhaustion that comes from fighting the good fight.”
—Zoran Kuzmanvich, Professor of English, Editor, Nabokov Studies
“D.V. Glenn's fictions explore wondrous worlds of wordplay, but do so, as does all the best innovative writing, in the service of the human heart rather than as mere showcase for erudite technical pyrotechnics. His work reminds me of the best music of Jimi Hendrix, which, despite its dazzling and dynamic derring-do, has the power to humble one's feelings and elicit empathy, sympathy, and even sociopathy in arresting and original ways. Glenn's investigations into the nature of the father-son relationship ("My Father's Penis"), the consciousness of the killer in the self ("Serial Killer Museum"), the love of a pimp for a 14-year-old hooker ("Chantelle"), the relative humanity of a so-called 'Superman' ("Kewl Kryptonian"), a student's need to graduate high school at all costs even if that means submitting to a pedophile teacher ("The English Teacher's Pupil"), the difference between dreams of academic success and the reality of tough life ("Shot in the Head"), and ten more such investigations into the same blue underbelly of society that fascinated Hendrix are powerful and emotive. As solid as the subject matter is, though, it is the skill of the teller that sets these fictions apart from most others. I'm pretty sure D.V. Glenn writes these things behind his back and with his teeth and then sets them on fire. Wow.”
—Eckhard Gerdes, author of My Landlady the Lobotomist
“D.V. Glenn's writings are ignored at great peril.”
—Don Davis, composer of The Matrix, The Matrix Reloaded, The Matrix Revolutions
About the Author
Daryl V. Glenn is a graduate from the University of Wisconsin with an MA in Creative Writing; as a graduate student, he was awarded the Mae E. Gales Literary Award for short fiction. He is the winner of HEArt?s (Human Equity Through the Arts) annual fiction-writing contest and has been a Pushcart Prize nominee. His fiction has appeared in a number of journals. The Girl with Two Left Breasts is his first book.
Most helpful customer reviews
5 of 5 people found the following review helpful.
The book with fourteen good stories
By mrliteral
Beyond the Stephen Kings, John Grishams and Danielle Steeles, there is a whole bunch of writers who toil quietly and produce quality material, yet never get significant recognition. Such is the case with D.V. Glenn, a writer you've probably not heard of. I've followed the career of Glenn for over a decade, though his stories have been generally limited to literary journals and the like. At long last, he has come out with a collection of his stories, which will hopefully put more of a spotlight on his writing.
This collection poses an issue for the Amazon reviewer like myself, who knows that Amazon can be restrictive about certain words in reviews. Thus, I refer to this book as The Girl With Two Left B; the review reader can figure out the rest easily enough. Similarly, some of the titles of the short stories can only be indirectly referred to, such as the one that kicks off the book, "The Hypothetical N" This is less a story than an anecdote, and at barely four pages, the shortest tale in the collection. It is probably also the one superfluous story, as the crux of the story is repeated in "Footage".
It is with the second story, "Metal Dogs", where things really kick into gear. This story of successful businessman Binder Trogg has shades of the myth of Oedipus. Not with the mother-father-son love triangle, but with the struggle against fate and Oedipus's grim form of self-mutilation. Unlike Oedipus, however, Binder embraces what he considers his destiny and is willing to forsake a prosperity that he feels is undeserved.
But more than this classical allusion, "Metal Dogs" introduces a theme that recurs throughout these stories. The principal characters (typically black men) find themselves taking self-destructive actions, often allowing the demons of their childhoods (particularly racism and violence) to possess their adult forms. Not that Glenn lets his protagonists off the hook: they may allow their pasts to haunt them, but they also bear responsibility for the lives they choose.
And for those who think "literary fiction" is too serious, Glenn also has a lighter side...at least sort of. There is plenty of humor in these stories but not the jokey punch-line sort, but rather the deeper humor of sharp satire. This is probably most overtly seen in "Kewl Kryptonian" which has Superman depressed and seeking relevance in a world where celebrity is more important than heroism. Other more satirical stories include "The Serial Killer Museum" (also dealing with the cult of celebrity) and "The Relationship Handbook", though dark humor laces many of the stories. In other stories, horror is the more overwhelming feeling, probably most significantly in "Chantelle's Braces" which deals with a teenage girl's crumbling life.
Is this collection for everyone? Probably not. This is not the light entertainment you might expect out of a beach read (not that there's anything wrong with genre fiction; a quick perusal of my reviews will show my fondness for the field). Nonetheless, if you're looking for a collection of well-written short stories, you won't go wrong picking this book up.
2 of 2 people found the following review helpful.
A bright new voice in fiction
By bleak
This is truly one of the best short story collections I've read in a long time. Glenn has an almost poetic sense of the abstract metaphor, and he uses words as a painter uses color. Many of these stories span the depth of the urban abyss, examining the bleak afterimages of racism and oppression. The best of these stories, notably "Chantelle's Braces" and "The English Teacher's Pupil," will, in my opinion, be considered among the best fiction America has produced. "The Girl With Two Left Breasts" is remarkably rewarding reading, as fun and entertaining as it is pure literature.
2 of 2 people found the following review helpful.
A Breath of Fresh
By Samavar
This was an amazing book. It is good to see something original and different and engaging at the same time. This is a great book and definately worth the time to read.
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