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In this book, Craig Detweiler examines forty-five films from the twenty-first century that resonate theologically--from the Lord of the Rings trilogy to Little Miss Sunshine--offering groundbreaking insight into their scriptural connections and theological applications.
Detweiler writes with the eye of a filmmaker, leads Hollywood and religion initiatives at Fuller Seminary, and even came to faith through cinema. In this book, he unpacks the "theology of everyday life," exploring the Spirit of God in creation, redemption, and "general revelation" through sometimes unlikely filmmakers. It's the first authoritative book that dissects up-to-date movies selected by the popular Internet Movie Database.
This book is recommended for teachers, students, pastors, film fans, and those interested in the intersection of Christianity and culture.
- Sales Rank: #1105402 in eBooks
- Published on: 2008-08-01
- Released on: 2008-08-01
- Format: Kindle eBook
From the Back Cover
Reel Revelation
In Into the Dark, respected film expert Craig Detweiler examines forty-five twenty-first-century films that resonate theologically--from The Lord of the Rings trilogy to Little Miss Sunshine--offering groundbreaking insight into their scriptural connections and theological applications. Detweiler uses the IMDb, the wildly popular Internet Movie Database, to select today's most influential contemporary films. He dissects the theology of everyday life, exploring the work of the Spirit of God in creation and redemption to discuss "general revelation" through cinema and sometimes unlikely filmmakers. Into the Dark opens up lively discussion topics, including anthropology, the problem of evil, sin, interconnectivity, postmodern relationships, ethics, fantasy, and communities in crisis.
"Craig Detweiler is right when he says that film is a source of divine revelation. Into the Dark takes readers on a journey to discover how God is helping us understand our true identity, community, and divine history within popular culture. No Christian scholar, student, or film buff should be without this book."--David Bruce, webmaster, Hollywood Jesus
"Soak a brain in billions of digital bytes of filmic splendor and an equal amount of dynamic theology, awaken it to the 'sudden and miraculous grace' available at the intersection of faith and film, and you've got Craig Detweiler's tour de force. A brilliant, timely, and useful piece of work from the only brain that could have produced it!"--Dick Staub, author, The Culturally Savvy Christian and Christian Wisdom of the Jedi Masters, and host of The Kindling's Muse
"Craig Detweiler provides a refreshingly open-minded engagement with Hollywood, insisting on an integrative approach to general revelation wherein the cinematic 'good, true, and beautiful' are broadly defined and broadly discovered. It is uncommon to hear Christians speak of mass entertainment as 'a form of Mass, a common grace,' as Detweiler does, but such a perspective is sorely needed and appropriately provocative."--Brett McCracken, film critic for Christianity Today and Relevant
About the Author
Craig Detweiler (PhD, Fuller Theological Seminary) is associate professor of communication at Pepperdine University in Malibu, California. He previously served as codirector of the Reel Spirituality Institute at Fuller Theological Seminary. Detweiler has written scripts for numerous Hollywood films, and his social documentary, Purple State of Mind (www.purplestateofmind.com), debuted in 2008. He has been featured in the New York Times, on CNN, and on NPR and is the coauthor of A Matrix of Meanings.
Most helpful customer reviews
4 of 5 people found the following review helpful.
Opens A Dialogue
By John Winterson Richards
Christians need to get back into the mainstream media if they are to avoid locking themselves up in a cultural ghetto. Instead of focussing on producing Christian films and television shows that are seen only by other Christians, they need to consider how Christian values can be communicated to mass audiences, in accordance with Jesus' command to preach to the whole world. Dr Detweiler shows how this can be done by illustrating how Christian themes are already found in recent blockbusters. In doing so, he also shows that Christian values are far more deeply entrenched in our culture - even in the very secular culture of Hollywood - than most people realise. Christians can build on this if they can get into the media. Of course, the great danger for Christians engaging with the secular mainstream is that they may be tempted to compromise too much. If any criticism can be levelled at this book, it is that Dr Detweiler lays himself open to that danger: an admirer of Jurgen Moltmann, he is perhaps too inclined to compromise in his theology and his politics, and also perhaps too eager to see Christian themes in films where there are none. That said, he deserves great credit for taking the first steps in the right direction; other Christians should follow.
7 of 10 people found the following review helpful.
Helpful Considerations for Christian Engagement with Film
By John W. Morehead
Craig Detweiler is involved with the Reel Spiritualy Institute and the Brehm Center, both affiliated with Fuller Theological Seminary in southern California. In these efforts Craig has established a solid track record in interacting with contemporary cinema from an evangelical Christian perspective. In his previous book, A Matrix of Meanings (Baker Academic, 2003), which he co-authored with Barry Taylor, Craig helped lay a theological foundation for a Christian engagement with popular culture. With Into the Dark Craig builds upon this foundation to consider contemporary cinema.
Evangelicals will likely find Craig's interaction with various genres of film most interesting as he seeks to see and hear God speak through what many evangelicals might consider the most unlikely sources for hearing God's voice. While Craig's insights on the theological aspects of film are indeed interesting, for me the most helpful aspect of this volume is his discussion of a methodology and foundation for Christian engagement with film.
As Craig develops his methodology he moves beyond the all too frequent evangelical tendencies toward wholesale dismissal or unqualified embrace. This book represents an accessible yet well thought out engagement with film that is faithful to both cinema in its own right, as well as evangelical theological considerations, thus providing a balanced consideration of one of the more popular forms of pop culture in the 21st century.
Three additional facets of Craig's methodology are worthy of reflection. First, Craig is not only interested in a rational consideration of cinema, but begins with a theological aesthetic that is aimed at reuniting beauty, goodness and truth, and he seeks to do so in this order. While Craig appreciates the rational emphasis of evangelicalism as it connects with modernity, he also recognizes that this has at times been unbalanced to the neglect of aesthetic considerations that are especially important in late modernity/post-modernity. Second, Craig emphasizes a neglected aspect of Protestant theology, that of general revelation, God's revelation in culture in all of its facets. Without due consideration of general revelation, Craig wonders whether many have missed "the transcendent, revelatory possibilities of film" as a result. Third, Craig brings theology into dialogue with culture, two spheres often kept in unfortunate isolation from one another, and this facet of his methodology results in "an audience-driven, receptor-oriented methodology." One of the ways in which this methodology manifests itself is Craig's choice of interacting with the top films chosen by the Internet Movie Database, rather than those selected by the American Film Institute. In Craig's thinking the IMDB likely represents a "new canon" of the most popular films that more accurately reflects a democratized and global source of critical film opinion of rank and file viewers, something not found in the opinions of professional film critics represented by institutions like AFI and its membership.
Evangelicals are often behind the times in responding to cultural trends, but with this volume Craig Detweiler has demonstrated that evangelicals are actively involved in the theological engagement with film as one of the more popular expression of pop culture. Evangelicals will benefit from this book in a variety of uses, whether individual reflection, a source of pastoral preaching, or small group study.
4 of 5 people found the following review helpful.
A Flickering Light
By Jonathan Fung
It has taken me time to slowly digest the writings of Craig Detweiler's text, "Into the Dark." There is so much wisdom and years of life experiences that emanate from these pages that I can only address concepts that engage my own personal experiences. Like Detweiler, my personal film experiences as a youngster were about escapism and entertainment. I loved going to the movies. I remember being dropped off at the movie theater by my dad and seeing a triple James Bond feature with Doug Smith, my 7th grade friend, and still wanting more after the movie ended. I used my imagination and a world of make believe as a form of escapism. I can recall spending hours in the bathroom and my bedroom fantasizing that I was Bruce Lee beating up the bad guys with my Kung Fu moves.
I found Paul Schrader's description of the formation of a canon as a story very fascinating: "To understand the canon is to understand its narrative. Art is a narrative. Life is a narrative. The universe is a narrative. To understand the universe is to understand its history. Each and every thing is part of a story -- beginning, middle, and end." The thing that resonates in my heart as an artist is how to lead the viewer to the divine story, as referred by Jurgen Moltmann. How can I ask the right questions so the viewer is prompted to reflect and somehow have a general revelation from God? Moltmann said, "Critic Jonathan Rosenbaum acknowledged the power and importance of a film canon as an educational tool. It should start arguments about the art of cinema, causing us to reflect on what matters and why." As an educator and pastor, I am always seeking ways to have my students dig deeper and ask important and meaningful questions. Everything I use in the classroom, on set, or in the ministry can be defined as an educational tool that equips. This creates a series of experiments that have a built-in safety net and provides growth.
I agree with Detweiler about practicing what Jurgen Moltmann has advocated. This leads to an intimate relationship with the Lord and a divine connection with the Holy Spirit. "It is possible to experience God in, with and beneath each everyday experience of the world, if God is in all things, and if all things are in God, so that God himself experiences all things in his own way." To answer this question, "How can God communicate through such unlikely means as movies?" I found the term "general revelation" to be an interesting concept. Detweiler states, "The theological term to describe this phenomenon is general revelation. It suggests that God can speak through anyone or anything at any time." Detweiler continues, "Christ remains our only saving grace, but movies can provide moments of grace as well. They dispense comfort and hope. Only God knows which debased art forms can still prove helpful to the mysterious ways of the Spirit." God can use anyone at anytime for His will. The Wachowski Brothers weren't believers, yet they incorporated Christian-Judeo allegories in the box office hit "The Matrix."
Jurgen Moltmann said, "The theology of revelation is church theology, a theology for pastors and priests. The theology of experience is pre-eminently lay theology." The films I made before I was a follower of Christ engaged and challenged audiences. There were even some biblical themes that were addressed unintentionally. God used me as an artist before I was a follower and spoke through my films. The reverse hermeneutics of the Spirit guiding us from art (beauty) to ethics (goodness) to theology (truth) tends to be the process I work from when creating films and works of art. I agree that art making emerges from divine action. It is my passion to tell stories that reflect where I am spiritually, physically, and emotionally in life. I share the same sentiment that Detweiler does, wanting the viewer to connect with the story and to experience the grace of God. "Into the Dark" continues to challenge me to look, listen and receive where God is leaving an imprint in movies.
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