Download PDF Directors Tell the Story: Master the Craft of Television and Film Directing, by Bethany Rooney, Mary Lou Belli
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Directors Tell the Story: Master the Craft of Television and Film Directing, by Bethany Rooney, Mary Lou Belli
Download PDF Directors Tell the Story: Master the Craft of Television and Film Directing, by Bethany Rooney, Mary Lou Belli
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Move over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time.
Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X” factor that distinguishes the excellent director from the merely good one. Covering everything from prep, the shoot, and post, the authors emphasize how aspiring directors can develop a creative vision-because without it, they are just technicians.
Hands-on and practical, this book lets you not only read about the secrets of directors, it also includes exercises using original scripted material. The companion web site includes scenes from the authors' own TV shows, along with the scripts, shot lists, and other materials that made the scenes possible.
Key Features
* Highly experienced Hollywood directors share inside information about what it really takes to be a director, giving the advice that readers covet.
* Covers everything a director needs to know: the creative vision, how to translate script into a visual story, establishing the look and feel, selecting and leading a crew, coaching actors, keeping a complex operation on time and on budget, overseeing the edit, and troubleshooting through the whole shoot.
* "Insider Info” sections feature interviews, advice, and tips from film and TV luminaries whose productions include Private Practice, Monk, Brothers & Sisters, Desperate Housewives, The Informant, American Beauty, and more!
* Hands-on exercises help you understand and master the craft of directing.
- Sales Rank: #760525 in eBooks
- Published on: 2013-01-17
- Released on: 2013-01-17
- Format: Kindle eBook
Amazon.com Review
Amazon Exclusive: A Letter from Bethany Rooney and Mary Lou Belli, Authors of Directors Tell the Story: "Advice for a New Director"
So you want to direct? The best advice we can give is to just do it.
That is, read our book first and take advantage of us sharing our secrets after over 25 years of directing. The job is immensely complex both in its craft and because it changes with every assignment due to the personalities involved. We have written down our knowledge of working with actors, blocking and shotlisting, understanding production design and editing. We have talked about the subtleties of playing the politics and the subtleties of breaking down a script. We have walked the reader through the entire process, from prep, through shoot, and ending in post-production. We also discuss the leadership qualities necessary to succeed. There’s a lot of invaluable information here, very practical information that we learned on the job and want to share with you.
After you’ve read the book, and you’re fired up about directing because it’s just an awesome, creative, fulfilling thing to do with your life, we suggest the following:
We Wish You All the Best!
Bethany Rooney and Mary Lou Belli
Review
".Bethany Rooney and Mary Lou Belli's Directors Tell the Story sets out to fill the void; as directors of series, including Grey's Anatomy, Desperate Housewives and Monk, the authors have hundreds of hours of experience between them and, thus, have first-hand knowledge of what it takes to mount television productions on tight schedules and modest budgets."--TheASC.com
"This is a precise and smart book about directing in general and directing television specifically. It is filled with common sense information that becomes second nature to a skilled, experienced director and can be so easily overlooked by a newcomer or even a working director who ought to think of another field of endeavor all together." -Sally Field
"Finally-- Actual, Working Hollywood Directors Share their 'Inner-Door' Secrets of the Craft. These two ladies have worked on some of the most critically-acclaimed current shows, and still made time to write this 'Can't-Miss' book! Call it-'The 'Hollywood Rules' for Up & Coming Directors'!!” -Dave A. Anselmi: Director, Producer, and Instructor, PracticalMysticProductions.com
"[Directors Tell the Story] has been referred to as "film school in 320 pages," offers a different approach than most other "directing" textbooks by offering how-to's from working professional directors. The authors designed a step-by-step format, breaking down the directing essentials to emphasize how aspiring directors can develop a creative vision:- Prep: Break-down, Casting, Production Design, Blocking, Scouting, etc; Shoot: Directing the Actors, Below the Line, Running the Set; Post: Working with Editors & Post Supervisors; Being a Director: The Demands of the Job, & Getting Started."--TribecaFilm.com
"Trust me, this is a book that should be required reading for anyone who has aspirations in pursuing a career as a director. On the other hand, for readers as myself that have no intention of becoming directors, Directors Tell The Story: Master The Craft of Television and Film Directing will no doubt force you to watch television film from a much different perspective and appreciate the intense collaboration that takes place between the director and everyone else that plays a role in its production."--BookPleasures.com
About the Author
In an environment where less than ten percent of dramas on television are directed by women, Bethany Rooney has enjoyed a long and esteemed career. She has directed over one hundred and fifty episodes of prime-time network shows, including Grey's Anatomy, Desperate Housewives, Brothers and Sisters, Castle, and Private Practice. For cable television, she has directed In Plain Sight, Weeds, and Drop Dead Diva. She began her directing career on the 1980's iconic television show, St. Elsewhere, where she had served as associate producer. She has also directed eight television movies, including three Danielle Steel adaptations for NBC. Her movies have earned reviews such as the following from Variety: "Bethany Rooney's sensitive direction makes for some vivid and understated moments,” and the Hollywood Reporter noted her "carefully paced and involving direction (featuring) magnificent acting.” She has directed Oscar winners and contenders Denzel Washington, Hilary Swank, Mary Tyler Moore, Angela Bassett, George Clooney, Alfre Woodard, Felicity Huffman, Sally Field, and Robert Downey Jr., among many others. Ms. Rooney also wrote the television movie "Absolution” which aired on Lifetime Television. Ms. Rooney graduated from Bowling Green State University in Ohio with a masters' degree. She taught directing at UCLA Extension and numerous acting workshops in the LA area, most recently through Steppenwolf Theatre West. She is a member of the Academy of Television Arts & Sciences and has served on several committees for the Directors Guild of America. Ms. Rooney lives with her husband and son in Los Angeles.
Mary Lou Belli is an Emmy Award winning producer, writer, and director as well as the author of two books. Most recently she directed Monk starring Emmy award winner Tony Shalhoub and The Wizards of Waverly Place on the Disney Channel. On the CW she directed The Game, the spinoff to Girlfriends- a series Mary Lou directed for 7 consecutive seasons. She directed the pilot of the Web series 3Way, winner of 2 Logo awards and the AfterEllen.com 2008 Visibility Award. With over 100 episodes to her credit, Mary Lou directed Living with Fran starring Fran Drescher, Misconceptions starring Jane Leeves, and Eve starring hip hop artist Eve, as well as The Hughleys, Charles in Charge, Major Dad, and Sister, Sister. Mary Lou received BET nominations for directing Girlfriends and One on One as well as a Prism Award for Girlfriends. After receiving a BA in theatre from Penn State, Mary Lou acted in musical theatre and soaps in New York, followed by a Los Angeles career producing and directing theatre with over 75 play productions to her credit. She lectures frequently throughout the United States including many universities such as AFI, NYU, Northwestern, and UConn. She is the co-author of two books: The Sitcom Career Book and Acting for Young Actors. She has been a judge for the Miss America Outstanding Teen Pageant, a lecturer at the Chautauqua Institute, and a panelist for Women In Film, the DGA, SAG, and AFTRA. She's judged the California Independent Film Festival, the Sapporo Short Film Festival in Japan, and CSU Media Arts Fest. She lives in Los Angeles with her husband and two teenage children..all actors!
Most helpful customer reviews
14 of 14 people found the following review helpful.
Really Practical & Fun 'How-To' Manual for Directing in Hollywood
By Amazon Customer
There are quite literally no other books like this one. Most of the other "Directing" books out there are either "Interview" books or "Indie Filmmaker" books, or even "Film Theory" books more suitable to a classroom. As such, there are very few "How-To" and/or "Tell it Like it Is" books by written by WORKING PROFESSIONAL DIRECTORS. And why not? They're *working*; they have no time to write books!
So these Authors have Authority-- now how about their Approach? Leveraging their decades in the Industry, the Authors lay it all out step-by-step:
- Prep: Break-down, Casting, Design, Blocking, Scouting, etc
- Shoot: Directing, Running the Set
- Post: Working with Editors & Post Supe's
- Being a Director: The Demands of the Job, & Getting Started
And it's all from the standpoint of How-To: comparing practical ideas, issues, tips/tricks, etc between Network, multi-camera, single-camera, MOV, and even some 'Feature Film' perspectives. We're not talking (just) "where to put the camera"; we're talking "how to shoot half a feature in eight, sometimes seven days", because "TV is low-budget filmmaking".
But know what's even *better* than all that? Here's my favorite parts:
- Job Requirements for being a Storyteller
- Being a Leader/Leadership qualities of a Director
- Six Steps to Problem Solving
- Suggestions for Dealing with stress
- The Business of the Business
This is the Real Stuff-- as anyone who's spent time on a hot set, herding cats, unsnarling Gordian knots & chasing the sun will tell you...
I particularly appreciate their encouraging, practical, keep-your-eyes-on-the-ball approach to the field of Hollywood filmmaking. They not only share a ton of hard-won advice, they also leverage their massive list of highly-skilled, well-known Director friends, and persuade them to share *their* hard-won advice too!! Bonus!!
And I really love their tongue-in-cheek tone: Who else would (dare) publish a 'real-world' vocab list, & include the definition of a "Two-T" shot? :-D
Highly Recommended.
7 of 7 people found the following review helpful.
One of the best directing books ever written
By POAB
Bethany Rooney and Mary Lou Belli have written what I am unabashedly calling one of the absolute best books written about film making ever. "Directors Tell the Story", in the space of 308 pages -- including an amazing glossary- teaches more about film and TV directing than most 4-year programs manage to. Years of experience, wisdom and insight are combined here to create chapter after chapter of the most lucid, balanced advice I've ever read, all in one place. Everything from how to read a script to how to talk to an actor, to what a walk `n' talk is, to how not to lose your temper... oh, and craft and technique and camera and leadership and everything else you can think of. It's all you need to know to work, in other words, but they also manage to define that illusive quality, the X-factor, as they and others call it, that is the most essential thing, next to which all else pales.
I agree with my fellow reviewer about the tone and attitude, as well. There is a certain wisdom that shines through the calm, assured diction, and a fearlessness that inspires confidence and trust in the reader.
The authors are both TV directors, and that happens to be the secret, in my opinion, of the book's magic. As Rooney says, and I'm paraphrasing, "we do everything Spielberg does, except with less time and less money." So they have to be extra-prepared and extra-good. If I were going to take lessons from anyone, it would be from the authors of this surprisingly engaging, fascinating book.
5 of 5 people found the following review helpful.
A valuable primer on the profession of directing, that's clear and well-written
By Nate
This is a very useful introduction to the profession of directing, with special emphasis on directing for television, but most of what's said here would apply equally to feature film production. The focus is on the idea that while someone else may have written the script, it is, ultimately, the director who decides how it will be told and who is responsible for telling it appropriately and effectively. Note that while anyone who hopes to direct in any capacity is likely to learn quite a bit from reading this book (I know I did), it is not really written with, say, the "do-it-yourself" no-budget indie director in mind. This is a guide for those who'd eventually like to direct television, with a number of suggestions scattered throughout on how most of it applies also to filmmaking, especially medium budget filmmaking on a television scale.
The authors are very experienced directors, having been "directors for hire" on an impressive number of successful television series. Their experience shows in the generosity with which they offer up advice obviously gained through experience and in the clarity with which they describe the kinds of considerations that a director must address at every stage of production. Before filming starts, he or she needs to read the script and get clear about the various layers of the story, identify the motivations of the various characters, and consider how best to communicate each scene visually. It is critical, also, that he or she understands how to work well with and trust the key players on the set, so that when it comes time to shoot, the director can focus on working with the actors. The authors urge that the most important thing is to respect the craft of the actors, which means to give them the resources and understanding they need in order to find their own way to an authentic performance that communicates precisely the intention of the character in a given scene. Finally, the director needs to work closely with the editor and ensure that the pacing and approach of the final product matches the vision that the director has come to share with the show runner (in the case of an episode for an established series). Along the way there are useful introductions to the terminology that a director will need to know to communicate effectively with the various players on set, and there are illuminating brief interviews with successful professionals about how they conceive of their role on set and how it relates to that of the director. There are also a number of brief exercises aimed at helping readers begin to think like a director. This is of course no substitute for actually being on set, but it is a very useful place to start. I found it to be very readable and clear, very practical and very useful. Definitely worth checking out for any film student or for the aspiring director or the experienced low budget director who is looking for opportunities to direct television.
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