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I like these songs better than all the rest, and someday you will too, Franz Schubert told the friends who were the first to hear his song cycle, Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. In Retracing a Winter's Journey, Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!"
Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.
- Sales Rank: #814915 in eBooks
- Published on: 2013-01-14
- Released on: 2013-01-14
- Format: Kindle eBook
Amazon.com Review
German lieder are among the world's most exquisite works of miniature art--one singer, one pianist, one brief poem, expressing a small but profound world in the space of a minute or two--and Franz Schubert was perhaps the greatest of all lieder composers. One of his masterworks was Die Winterreise ("The Winter Journey"), a setting of 24 poems by Wilhelm Mueller. This book may be the definitive word on that cycle. It is sure to increase the understanding of the careful reader/listener with its explanations and insights into Schubert's work.
Review
"This is the definitive book on the subject, by one of the world's leading lieder scholars."―Time Out New York
"Susan Youens displays a rare ability at making penetrating comments on both poetry and music, as well as their interrelationship, and her book is full of interesting observations of details easily overlooked by those who have not studied the song cycle closely."―Times Higher Education Supplement
"Susan Youens's Retracing a Winter's Journey is the most successful and appealing of the various recent studies of Winterreise. Youens is a true Schubertian, able to find the subtlety of the cycle and to take the reader through it in a way that broadens the understanding regardless of how familiar one may be with the work. She pays special attention to the texts, interpreting Müller's various images with a skill born of wide knowledge of the poet's other works as well as those of his contemporaries, and proceeding to an illumination of the role and importance of the texts in the musical setting. . . . The author's lucid and elegant writing never allows one to falter through the retracing of this fascinating journey."―Music and Letters
"This is a book of considerable importance. Given the quantity of distinguished writing about Schubert's great song-cycle it is the author's outstanding achievement to have written a study that for scope, insight, and sheer readability eclipses previous responses to the challenge. . . . Youens combines to a degree as rare as it is admirable the sensitivities and deep knowledge of literary historian and musicologist."―German History
About the Author
Susan Youens is J. W. Van Gorkom Professor of Music at the University of Notre Dame. She is the author of several books, including Heine and the Lied; Schubert's Late Lieder: Beyond the Song Cycles; and Hugo Wolf and his Mörike Songs.
Most helpful customer reviews
19 of 20 people found the following review helpful.
The Definitive Guide to Schubert's Masterpiece
By Eclecticism
Susan Youens follows her excellent analyses of Schubert's lieder -- among the highlights of her work are books on "Die schoene Muellerin" in the Cambridge Music series and "Schubert's Poets and the Making of Lieder" -- with a complete analysis of *the* major song cycle, Winterreise. In this book, which is aimed at the knowledgeable layperson but which will not disappoint specialists in either poetry or musicology, Youens first deconstructs the cycle as a whole, looking at the poet, Wilhelm Mueller, and the sources of his texts; as well as giving a "macro" look at Schubert's setting of it. This first section would have been excellent enough. But then Youens analyzes each song, in both music and poetry. She finds links between the songs, helps guide the narrative, and, on nearly every page, points out features that can't help but inform anyone's understanding of this touchstone of Western culture.
Youens includes the first page of the score of every song, as well as the German text -- with the occasional changes by Schubert carefully noted and explained -- and the translation into English. Even if you don't speak German, I'd highly recommend reading Mueller's text while you recall the melody of the song. It really gives an appreciation of the art not just of Schubert but of Mueller as well, who Youens argues is unjustly viewed as a minor German poet these days. Her appreciation of Mueller made a believer out of me.
Five stars for this educational, well-written book that gave me a completely new view of a cycle I've listened to hundreds of times.
7 of 7 people found the following review helpful.
Very technical, very deep analysis, not for general reader
By Alan A. Elsner
Even lovers of "Winterreise" who are quite obsessed by this cycle of 24 poems set to music by Schubert may find this guide heavy going. The author does an admirable job of describing the poems and explaining the background of how the song cycle came to be written. She then goes bar by bar almost through each of the 24 songs, examining how specific words are set to music, the many key changes, the amendments that the composer made and every other detail you may wish to know.
A score of the piece is definitely required to follow the argument.
This book really doesn't work well on the Kindle. It's awkward to page back to reread things that are relevant from previous chapters and the score extracts don't show up well.
This book is recommended for professional musicians, music majors and specialists in German poetry - in the paper version. It's not for the general reader or amateur lover of Schubert.
7 of 8 people found the following review helpful.
I came to this excellent book by Jouens via a similar one by Bostridge
By Lilac
I came to this excellent book by Jouens via a similar one by Bostridge. I am fond of both. It is rare that a theme attracts two writers at about the same time, leading to a competition for the title of definitive work on a subject. I can presently not give a clear preference.
Both books deal in their independent ways with Schubert’s Winterreise, a compendium of 24 songs amongst his last, arguably the world finest. They are bleak and austere passages of a wanderer, theatrical and melodious, speaking of lost love. Schubert, the composer who died with 31 in Vienna, considered Winterreise his best work.
Susan Jouens' is the more poetical one, Bostridge’s the one more speaking of his experience as a singer.
Jouens positively re-evaluates the poet Mueller, as of considerable depth, hiding under a veneer of folk simplicity. She is interpreting Mueller's various images with a skill born of wide knowledge of the poet's other works.
I recommend to luxuriate in both books and savor their differences. Rarely does one have opportunity to let oneself be pampered by such a fine competition.
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